As a piece of art perhaps it would work, but as a piece of literature it stands as a scathing indictment of postmodernity, in love with its own disjointed voice. Its lack of punctuation and dodging between languages and fragmented "stories" seems to purposeless expression.
As occurs in other genres of 'ecriture feminine', this text experiments rather than controls. It is a dictee, but does not dictate.
I read this book for my Asian American lit class and found it excruciating painful to read. It's certainly inventive, but that's the only positive thing I can say about it.
Theresa Gooden-Baker
Theresa A Harris-Tigg PhD
Theresa Hak Kyung Cha
S. Theresa Dietz
Theresa Linden
Theresa Reed
Theresa Bourke
Theresa Holmes-Lewis
Theresa L. Geller
Theresa Lynn
Theresa Baumgärtner
Theresa Yong
Paul S. Cha
Kyung Joon Han
Theresa Lacey
Kyung-sook Shin
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Kyung-sook Shin
Theresa Marrama
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Theresa A Rego
Ba Cha Mei
Theresa Reed
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Theresa A. Gannon
Theresa Quinn Del Vecchio
Chang Kyung-Sup
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Theresa M. Towner
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Chang Kyung-Sup
Kim Kyung-uk
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Laura-Theresa Arenz
Theresa Emminizer
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Kathleen Vossler
John Steakly
David V. Muckleroy
Satyakam Vidyalankar
V S Pathak
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Reformed Church in the United States
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Hopley Stock Farm
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William Bosch
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Gotti, Giovanni (Composer)
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MARTIN
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